span.fullpost {display:none;}

Saturday, June 24, 2017

The 1964 Debut Album of Simon and Garfunkel

In a previous article, titled The American Folk Music Revival, I wrote that Baby Houseman and her fellow students at Mount Holyoke College listened all the time to folk music -- not to the rhythm-and-blues and other such music in Dirty Dancing.

In 1963, Paul Simon and Art Garfunkel were 22-year-old college students. Both were profoundly affected by the assassination of President John Kennedy on November 22, 1963.

About nine months later, in October 1964, their first album -- Wednesday Morning, 3 a.m. -- was released. At that time, they were influenced mostly by folk and gospel music. In another blog, I have written an essay about that album and in particular about The Meaning of the Song "Sounds of Silence". You can click that link to read it.

The first album of Simon and Garfunkel,
issued in October 1964
Here is the middle part of that article:
Paul Simon was born in 1941 into an observant Jewish family. Especially his mother was rather strict about adhering to Jewish teachings and customs. Paul grew up in a solidly Jewish neighborhood in Queens, New York. He once remarked that during the first part of his boyhood he thought that everyone in America was Jewish. (I obtained this information mostly from Laura Jackson's biography Paul Simon.)

Paul's father was a professional musician, and Paul too decided to become a professional musician while he still was a boy. When he was 14 years old, in about 1955, he began to write music and lyrics ambitiously. From that young age he committed himself to developing a career in the music business. He, accompanied by his friend Art Garfunkel, made his first record when he was 16 years old, in 1957. The song, titled "Hey, Schoolgirl," reached the 49th position in the popularity charts.

Pressured by his family to attend college, Paul enrolled in Queens College and majored in English literature. He studied poetry in an intelligent manner and began to write lyrics that were far more intellectual than "Hey, Schoolgirl".

During Simon's college years, many Jewish-Americans of college age became involved actively in the Civil Rights movement for African-Americans. Jewish-Americans had been affected by the mass murders of Jews in Europe during World War Two, less than 20 years previously, and Jewish-Americans felt that they too, like African-Americans, were a second-class minority in the United States.

While attending Queens College, Paul Simon was a classmate and personal friend of Andrew Goodman, who became an active participant in the Civil Rights movement. After graduating from Queens, in the summer of 1964, Goodman was murdered in Mississippi while helping African-Americans register to vote. (Garfunkel did not attend Queens College, but he too knew Goodman.)

Already before Goodman was murdered, Simon had become impressed positively by the inspirational and effective role that Christian churches played among African-Americans in the Civil Rights movement. As a musician, Simon was influenced in particular by the role that Gospel music played.

Furthermore, Simon obviously was impressed positively by the Christian religion itself. He apparently perceived it to be much more dynamic and universal than his own Jewish religion, which seemed stagnant and isolated. His infatuation with Christian ideas and music probably was to some extent also an act of adolescent rebellion, a means to antagonize and to declare his independence from his Jewish parents and neighbors.

----------------

During Simon's senior year of college, President John Kennedy was assassinated on November 22, 1963. During the following weeks he began to write the song that became "The Sounds of Silence." He essentially finished the song in February 1964, and then he and Garfunkel recorded it in a studio on March 17, 1964, near the end of his senior year.

As I will argue below, the song describes God's difficulties in communicating through His prophets to human beings. The prophets are not recognized by humans, who reject real prophets and instead turn to false prophets. God therefore must use various clever methods of communicating through his real prophets.

Simon did not think that President Kennedy was such a prophet. Rather, Simon apparently felt that the assassination aggravated an already existing crisis of humanity. The aggravated crisis made it even more urgent that humanity try to recognize and heed real prophets of God in order to be saved.

After graduating, Simon moved (alone, without Garfunkel) to England, where he spent the summer of 1964. During that summer he lived platonically with a woman named Judith Piepe, who was a European Jew who had converted to Christianity and become a full-time social worker for her church. This relationship is additional evidence indicating that Simon himself had drifted from the Jewish religion far into the Christian religion during this period of his life.

----------------

It was during this same summer of 1964 -- on June 21,1964, that Simon's friend Goodman was murdered in Mississippi by the Ku Klux Klan while participating in the Civil Rights movement.

It seems to me that the news of this murder prompted both Simon and Garfunkel to re-affirm their own Jewish identities. Until then, they had performed and recorded as musicians with non-Jewish names. They had called themselves Paul Kane and Artie Garr, because they felt their real Jewish family names might be less marketable. When their first album, Wednesday Morning, 3 AM, was issued on October 19, 1964, the duo had decided to identify themselves for the first time and forever afterwards by their real, Jewish names -- Simon and Garfunkel.
Although the duo identified themselves now by their real Jewish names, the album as a whole was saturated with Christian songs and themes. Probably most of the two young singers' Jewish families and friends were appalled by the album's contents.

Most of the songs in this album revolved around Paul Simon's thinking that the Earth's population was approaching a mortal crisis but that God still would save those people who would listen to the warnings of contemporary prophets. Jesus Christ had been an example of such a prophet who had not been heeded in his own time but who nevertheless still did and would bring salvation to those people who did or would heed him.

That theme, expressed variously in most of the album's songs, is the context for understanding the song "Sounds of Silence", which is the album's central song -- the sixth of the album's twelve songs. Before I explain the one song "Sounds of Silence", I will summarize all the surrounding songs, which as a whole coherently reflect Simon's blatantly Christian attitude when he wrote that one, central, poetic song.
The entire article is much longer.

The "Dirty Dancing" Facebook Game

During the years 2011-2014, Facebook had a Dirty Dancing Facebook Game.


During those years, I was not aware of the game. As someone who played Farmville on Facebook for a couple of years, I would have played the Dirty Dancing game for sure.

My previous article titled The Farmville Romance Resort Contest was about something different, because it was a Farmville competition.

=======

On the Internet I found the following images from the game. (You can click on the images to expand them.)





















You can find some more images at Realm of Gaming.


An Exhaustive Breakdown of Patrick Swayze’s "Road House"

At The Ringer website, essayist Mark Titus is writing a series about "good bad movies", a category into which he places Patrick Swayze's 1989 movie Road House. Titus has watched Road House many times and recently wrote an amusing "exhaustive breakdown" of this "good bad movie".

The poster for the 1989 movie "Road House"
starring Patrick Swayze
I never have watched the movie. After reading Titus's article, I wonder why Swayze made this movie two years after Dirty Dancing. I suppose Swayze was paid a lot of money.

Titus's article includes the following passages, photograph (the caption is mine) and video clip:
... Road House isn’t a movie so much as it is a religious experience, and one that defines the Good Bad Movies genre. ... Road House invented the concept and is the standard by which every other Good Bad Movie should be judged. But in preparing to compose the opus you are currently reading  —  which required rewatching Road House three times in the past week .... My point is: It’s nearly impossible to write an article about Road House that doesn’t make you want to quit reading halfway through  —  solely because you just want to go watch Road House again. ...

Here’s the best spoiler-free synopsis I can give you:

Road House stars Patrick Swayze as Dalton ...  He’s inexplicably world-famous for being a “cooler” (which is like a bouncer only, um, cooler?). A bar owner in Jasper, Missouri, who wants to improve a dive bar he owns called “Double Deuce” tries to hire Dalton away from his current gig in New York. ... He accepts the offer immediately. He shows up in Missouri to find a bar where beer bottles constantly fly through the air, women are sexually assaulted, verbal arguments turn to knife fights with the snap of a finger, and not a single cop car or ambulance is anywhere to be found. Dalton eventually ... cleans it up, much to the delight of the bar owner ....

Along the way, Dalton takes down a bunch of bad guys, has sex with one of the token hot chicks in town (she’s a doctor, which proves how classy Dalton is), turns down the advances of another (ditto), saves an old dude’s life, and occasionally wears a karate uniform top tucked into his jeans.

Patrick Swayze wearing a karate uniform tucked into his jeans
in his 1989 movie "Road House" (click to enlarge)
Eight Mind-Blowingly Absurd/Awesome Things That Happen in the First 15 Minutes of Road House

1) A man puts a $100 bill on a table; a woman stabs the $100 bill for some reason, and then the man kicks her chair over, causing her to fall backward. When bouncers come to throw him out, he punches one of them in the face. He then grabs the knife that the woman used on the $100 bill and uses it to stab Dalton in the arm, citing that he’s “always wanted to try [Dalton]” as his motivation. Dalton does not flinch — no one does, for that matter. After the guy and his buddy eventually get escorted out of the bar, Dalton stitches up his own stab wound in a back office.

2) Dalton pulls his 1964 Buick Riviera to the side of the road and tosses the keys to an old man sitting on the sidewalk, telling him that the car is now his. Dalton then uncovers a Mercedes-Benz in a parking garage, hops inside, and peels out. No explanation is given as to why he swapped out cars or why anything in this scene is relevant in any way.

3) As Dalton approaches Double Deuce, a group of bikers notice his Mercedes and ask him, “Hey hotshot, what’s wrong with Dee-troit cars?”

4) The Double Deuce house band is led by a blind man (played by real blind musician Jeff Healey), who plays a lap guitar and has to perform inside a cage made of chicken wire because the patrons of the bar throw beer bottles at him so often.

5) A woman pulls a wad of cash from her cleavage to pay her waitress for drugs.

6) A woman orders a “vodka rocks” at the bar. A man sitting nearby hears her order and says, “Hey vodka rocks, whaddya say you and me get nipple-to-nipple?” It is the first and last time anyone anywhere has used that phrase.

7) The owner of the Double Deuce uses a Sharpie to change “FUCK” to “BUICK” on a wall of graffiti so the message would instead read, “FOR A GREAT BUICK CALL 555–7617.”

8) And last but not least, the greatest scene in the history of motion pictures: A man offers a woman’s “pair of attitudes” to a random guy at the bar, telling him that for 20 bucks he can kiss them “here and now.” The random guy then aggressively fondles the woman’s breasts, which is apparently perfectly acceptable behavior to all parties involved. But when the random guy says he can’t kiss the breasts because he doesn’t have $20, all hell breaks loose and everyone in the entire bar starts fighting each other. I should again mention that no police are called, despite the thousands of dollars in damages done to the bar and the countless charges of attempted murder that could be filed.

Titus's article about the movie continues at length.