span.fullpost {display:none;}

Sunday, August 16, 2015

Ron Jeremy's Reminiscences About Borscht-Belt Resorts

One of the most famous male actors in pornographic movies is Ron Jeremy. He performed in more than 1,750 pornographic movies, which was the world record in 2007. He estimates that he has enjoyed sexual intercourse with more than 4,000 women.

He became a porn star because he has a big penis and an amusing personality, but he is not handsome.


When he began his porn career at the end of the 1970s, at about the age of 26, he was handsome enough.


In 2007 his ghost-written autobiography was published -- Ron Jeremy: The Hardest Working Man in Showbiz.  The following information and quotes are taken from that book.

He was born Ron Jeremy Hyatt (he dropped his family name when he began working in pornography) in 1953. He grew up in a secular-Jewish family in Queens, New York. He studied piano and flute from childhood. In high school, he became active in theatrical performing and in earning money.
By the time I enrolled in Benjamin Cardozo High School, the acting but had wiggled deep into my chest and wasn't budging. I took every drama class the school offered, hung out with the theater crowd, and starred in productions like The Devil and Daniel Webster and Oklahoma. When I wasn't cast in The King and I,  I managed to persuade Mr. Segal, the director, to let me play piano as the musical accompaniment. 
Though music and theater were my first loves back then, my second love was making money. I was barely in my teens before I decided I needed a disposable income. By fifteen, with proper working papers, I was gainfully employed as an ice-cream vendor in Cunningham Park. The ice cream was supplied by  a local hot-dog stand, and I wold walk around the park for hours with my little car, peddling ice cream to the tourists and making a staggering $1.60 an hour for my efforts. I can still remember the thrill of receiving a check every week. It wasn't much, but to me it was a fortune. And best of all, I had earned it. 
Ron lost his virginity at the age of 15. Well endowed, confident and seductive, he acquired much sexual experience by the time he graduated. Here is his senior photograph in his high-school yearbook.


While he still was in high school, he began earning extra money by working in hotels in the Borscht Belt during his summer vacations. Since he was born in 1953, I assume he worked there in the early 1970's -- more than seven years after the Dirty Dancing story. However, his experiences still resonate with the movie.
I first started coming up to the Catskills when I as still in high school. I'd spend the summers working s a waiter at any of the high-class hotels, like the Concord and Grossinger's and Green Acres. As I got older and more experienced, I eventually moved up in rank and seniority. I loved the work, but more important, i loved the money. For a young Jewish kid with a limitless supply of energy, the Catskills was like a gold mine.  
But I wasn't just a miser looking to line his pockets with cash. Some of that money was actually necessary. When I enrolled in Queens College, I needed something besides good looks to pay my tuition. ..... You could make a small fortune at Grossinger's if you learned how to work the guests.  
It wasn't enough just to be polite and bring out their meals as quickly as possible. You had to play into their expectations. I learned that from watching the Christian waiters. They'd wear yarmulkes and pretend they were med students, and they'd always get the biggest tips. I, like a fucking idiot, who actually was a Jew, didn't wear a yarmulke. I was a reformed Jew, so it never seemed appropriate. And I was too honest with my customers. They asked me what I wanted to do with my life, and I told them that I was pursuing an acting career. Big mistake. ....
When I figured out that honesty wasn't getting me any tips, I gave myself a full Jewish makeover. I wore yarmulkes. ... And when a customer asked me about my career choices, I would always -- always -- claim to be studying medicine. .... 
Grossinger's had some incredible discotheques and nightclubs, and I always visited them after my shifts, shaking my butt on the dance floor and flirting with the female guests. It was a dangerous game, because, at least in theory, the hotel's clubs were off-limits to employees. Remember the movie Dirty Dancing? It was exactly like that, although not as highly choreographed. The staff wasn't allowed to socialize with the guests, and doing so was grounds for dismissal. ..... 
Even as a kid with little use for sleep, I was burning the candle at both ends, working all day and chasing the girls all night. All around me were vacationing women, walking around in their skimpy bikinis, looking for a fling with the first teenage boy with a big penis to walk up and buy them a drink.  
Not all the flirtation between the staff and guests was frowned upon in some of the smaller hotels. When it came to the Borscht Bunnies, sometimes we were expected to "date". Though we couldn't socialize in their nightclubs or discos, there was an unspoken understanding that we were allowed to "take care of the women" if they needed company. .... 
"Borscht Bunnies" or Bungalow Bunnies" were terms coined in the Catskills, meaning "married women who live boinking younger guys." Every summer, rich couples from Manhattan would drive up to the Catskills for the weekend, wining and dining at the best resorts that money could buy. On Monday, the husbands would return to the city (and one could only assume, to their mistresses) while their wives stayed behind. They were lonely, armed with their husband's credit cards, and ready to play. By "play", I mean, of course, have as much sex as possible with as many hot young boys as possible, which usually meant the resort's staff of easily seduced waiters and busboys. .... 
On this particular summer in 1975, I just so happened to be maitre d' at one of the poshest resorts in the Catskills: Gasthalter's Paramount Hotel. The moment I spotted these two Borscht Bunnies in the Paramount dining room, flirting and drinking wine, I knew it was going to be a good night.  
I called up my friend Ken, and we met up with the ladies for a few drinks after my shift. Several cocktails later, we invited them back to our room ..... 
We took a dip in the pool before splitting off into pairs and retiring back to our respective rooms. Though my Broscht Bunny couldn't have been more than forty-five, I'd never been with an older woman before, so it was a novelty to me. It was like having my own personal Mrs. Robinson. And she clearly had some built-up sexual frustration, because .....
... and so forth and so on.  You yourself will have to read the book for more details.

Eleanor Bergstein's Earlier Movie "It's My Turn"

Recently I happened to watch a 1980 movie titled It's My Turn. My wife wanted to watch a romantic-comedy, so I looked at the movies that would be shown on television that evening. This movie starred one of my favorite actresses, Jill Clayburgh, and one of my wife's favorite actors, Michael Douglass, so I recorded it and we watched it.

Here is the movie trailer.


The movie turned out to be lousy, but we watched it to the end. The next day, I searched Google for articles about the movie and discovered that the screenplay had been written by Eleanor Bergstein, who later wrote the screenplay for the 1987 movie Dirty Dancing.

By the time I read that, I already had deleted my recording. If I ever see It's My Turn on television again, I will record it and analyze it carefully with regard to Dirty Dancing. In the meantime, I am writing this article about It's My Turn based on my recent memory.

Clayburgh plays Kate Gunzinger, a mathematics professor, and Douglas plays Ben Lewin, a retired professional baseball player.

Judging by their family names and by their parents' wedding ceremony, he and she seem to be Jewish. She has a boyfriend named Homer (last name unspecified), who is played by Charles Grodin, an actor who was raised in an orthodox-Jewish family. The Homer character seemed to me to be a Gentile -- especially with the Greek name Homer. The characters' ethnicities are not apparent factors in the movie's plot, but perhaps were subconscious factors in Bergstein's mind when she wrote the story (similar to Dirty Dancing).  

The Wikipedia article about It's My Turn says the following:
The film was directed by Claudia Weill and written by Eleanor Bergstein. The producers of It's My Turn cut out an erotic dancing scene from Bergstein's screenplay, which sparked her to go on and write a new script that would become the 1987 hit film Dirty Dancing.
The version I watched on television did have a scene where Kate and Ben dance. In fact, the above trailer shows a glimpse of the dance scene.

The dance scene was not "erotic". Kate obviously is an awkward and reluctant dancer, and that seems to be the scene's point. I assume that this was the scene that was cut from the movie's original version and that the scene has been put back into the version shown now on television. Perhaps, though, the movie's pre-edited version included a second dance scene that was supposed to be "erotic".

There were several reasons why It's My Turn is a bad movie. Here are a couple minor reasons:

* Some of the dialog is unintelligible. There were at least five passages that I had to replay repeatedly to try to understand what was said. The problem was a combination of inadequate sound-recording and sloppy pronunciation. This was very annoying and must have been doubly-annoying for people who watched the movie in theaters. (The movie shown on television does not include closed-captions.)

* Many of the scenes lasted far too long. The above trailer begins with part of a long scene that takes place in a hotel's game room. Kate and Ben play ping-pong and a game similar to Foosball. The idea seemed to be that she tried to be competitive, but he played better. Whatever, the scene lasted far too long.

A major reason why the movie is bad is that the story is implausible. Kate Gunzinger is a super-serious mathematics professor who is living with a successful architect in Chicago. She travels to New York City for a few days to attend a job interview and her widowed father's wedding. During her few days there, she falls in love and enjoys sex with her new brother-in-law (the son of her father's new wife) a professional baseball player who recently had to retire because of an injury. Kate returns to Chicago but wants to continue her affair with Ben long-distance. He, because he is married, breaks off the affair. Then Kate dumps her boyfriend Homer because he does not pay enough attention to her. The movie ends with her single, continuing to teach mathematics at her Chicago university.

This scene shows the high level of mathematics that she teaches at a Chicago university.


(This scene -- which is essentially irrelevant to the rest of the movie -- is a good example of the many scenes that were far too long.)

The number of 35-year-old (Jill Clayburgh's age) university professors who teach such mathematics and are female and look like Jill Clayburgh and are living with successful professional men (e.g. architects) and still are unmarried is very small -- ZERO. Now multiply that small number by the number of such women who would immediately -- in two or three days -- fall in love with a retired professional baseball player who happens to be her new brother-in-law -- ZERO SQUARED.

Kate is a character with whom very few female viewers would identify. Clayburgh is an actress who possibly could make such a character seem plausible, but even Clayburgh fails in this movie. I love Clayburgh as an actress, but I didn't believe in her Kate character for even one second.

For me as a male viewer of the movie, I even thought that the Kate character was morally repugnant.

* Attending the preparations for her widowed father's wedding, Kate has a sexual affair with the son of the father's new bride. If this affair had been exposed, her father's wedding and marriage could have been ruined.

* Kate treats her father's new wife meanly.

* Kate asks Ben to continue their affair long-distance after he returns home to his wife and she returns home to her now cuckolded boyfriend.

* Ben refuses to continue the affair because he is married. Nevertheless, he sends her a present by mail, and she seems to be happy and hopeful that her affair might continue after all.

* After she returns to Chicago, she dumps her boyfriend Homer because, she complains that he has not been paying enough attention to her. So, it's Homer's fault. She does not admit to Homer that she already has become a baseball player's groupie.

In general, men do not admire such women and do not consider movies featuring such women to be romantic comedies.

Since Douglas and Clayburgh were expensive actors, the movie's investors must have lost a ton of money.

---------

Evidently, however, Bergstein learned some valuable lessons that paid off for the people who financed her next movie, Dirty Dancing, which enjoyed the following advantages.

* The female protagonist, Baby Houseman, was a character with whom female viewers could identify and with whom male viewers could fall in love.

* The male protagonist, Johnny Castle, was single and did not have even a steady girlfriend.

* The dancing in the movie was superb.

The two movies were similar, however, in terminating the love affair. Just as their was no future together for Kate and Ben in It's My Turn, there was no future together for Baby and Johnny in Dirty Dancing. Each movie is about a brainy Jewish female's brief sexual fling with an dopey but athletic male.

--------

The Amazon webpage about the movie includes customer comments that praise the movie inanely. However, one commentator, Skip Jones, tells the truth.
The whole film, It's my Turn, from beginning to end, is jive. Watching this film was a truly hateful experience. 
Two words, Baby: Chick Flick! The characters portrayed in It's My Turn seem about as real as the two-dimensional cardboard likenesses of film stars that one might see in the lobby of a theatre. 
The whole concept behind the movie is laughable. It's full of campy 70's feminist rhetoric, and about as deep as a soap opera about Barbie and Ken. Not much to think about, really. The dialogue sounds like a series of mindless jokes. Did people really talk like that back in 1979? 
Charles Grodin and Mike Douglas portray a couple of Archie and Jughead-types on the make. Jill Clayburg's performance is particularly laughable as a seventies version of every-woman who struggles with the mundane problems of life in Chicago and New York. A meaningless subplot: Her father fails to comply with her beatific ideas of perfection! 
I saw this film at the local cineplex over twenty years ago, and since then, have never forgotten the experience. Upon the conclusion of the film I felt that I had wasted two hours of my life. I was so irritated that I seriously considered breaking into the projection room, taking the film from the projector and burning it with some lighter fluid and a match. 
Would I recommend this film to my friends? Sure! Why not? Anything's better than watching The English Patient. 
Bonus Comment: I predict that by the year 2020, this film will be a tremendously popular camp favorite with people who are yet to be born, or are in their early infancy. 
By 2020, Charles, Mike, Jill and the rest of the gang will be enroute to the old actor's home. By then, kids will look at It's My Turn in much the same way that most kids of today watch reruns of old TV shows like The Beverly Hillbillies and think that their parents were dolts.
-------

The movie It's My Turn featured a song with the same title, sung by Diana Ross. The song became a hit, reaching #9 on the Billboard Top Hundred in 1980. Here is a YouTube clip:


Here are the lyrics, written by Carole Bayer Sager:
I can't cover up my feelings
In the name of love
Or play it safe. 
For a while that was easy
And if living for myself
Is what I'm guilty of
Go on and sentence me. 
I'll still be free.
It's my turn
To see what I can see. 
I hope you'll understand
This time's just for me,
Because it's my turn
With no apologies. 
I've given up the truth
To those I've tried to please
But now it's my turn. 
If I don't have all the answers
At least I know
I'll take my share of chances
Ain't no use of holding on. 
When nothing stays the same
So I'll let it rain
'Cause the rain ain't gonna hurt me. 
And I'll let you go
'Though I know it won't be easy. 
It's my turn
With no more room for lies
For years I've seen my life
Through someone else's eyes.
These lyrics do express insightfully Kate's attitude toward her boyfriend Homer in the movie It's My Turn. Kate has intended to cheat on Homer and then to dump him. Her self-justification is expressed in these lyrics. In her mind, it's just logical.

-------

The movie It's My Turn was directed by Claudia Weill, who went on to become a successful director, especially for television. For example, she directed the TV dramas Thirtysomething, My So-Called Life, Once and Again, Chicago Hope and Girls.

Weill is interested in portraying the resentments of women (especially Jewish women) having to compete with, measure up to, and learn from men. In a recent interview, she said:
Weill is interested in portraying the resentments of women (especially Jewish women) having to compete with, measure up to, and learn from men. In a recent interview, she said:

I was very fixated on what it meant to be Jewish and female in America ... because that was what I was facing. ... because I had Orthodox grandparents. God was just available for men, not for women. [There is] a kind of self doubt which is perhaps more female, I think of it as being more female, not being sure that you’re really a contender, that you can play the game. Not sure that you’re one of the boys, so to speak.

It was important to me [to portray] the girl that’s not normally the protagonist -- not the pretty, blond, breezy one that everybody loves and adores. She is that girl’s best friend, the 'Rhoda' lineage, Mary Tyler Moore's best friend played by Valerie Harper.

The best friend is always funnier and men are usually less attracted to her because she’s either overweight, not as gorgeous or not as oriented towards pleasing them. I was very interested in making a movie about that girl because that’s who I am and making films was just my way of figuring life out.
The movie It's My Turn is full of such resentments. Although Kate is a brilliant mathematician, she feels inadequate around Ben, who is athletic and knowledgeable about sports. She submits sexually to Ben very quickly and falls in love with him passionately. She turns out to be incapable of continuing her relationship permanently with either Ben or Homer, and so she finds her main satisfaction in her independence.

======

See also my article Re-Watching Eleanor Bergstein's Earlier Movie It's My Turn.

The Housemans Stayed at the Resort Three Weeks

Some time ago, a reader sent me a message asking how long the Houseman family stayed at the resort. My answer follows:

The Houseman family's visit to the resort lasted three weeks. When the family was unloading the car in an early scene, the resort manager Max remarks to Mr. Houseman: "Three weeks here, and it will seem like a year." This is right before we see a large group of guests learning to dance in a gazebo.

Later in the movie, right before Johnny almost punches the waiter outside a cabin, someone remarks: "Well, cousin, it's almost over. Labor Day weekend is here."

The opening narration says the visit took place in the summer of 1963, before Kennedy was shot (Nov 22, 1963) and before the Beatles came (Feb 7,1964).

Labor Day 1963 was Monday, September 2, 1963. So, Labor Day weekend was August 31 through September 2. Probably the show that ended the movie happened on Labor Day.

So, the Houseman family's visit to the resort probably lasted the three weeks from about August 10 through September 2, 1963.